The Ohio State University, Black Magic, and White Noise
The Surrealreality of East Palestine, Ohio
When I read Dan DeLillo’s White Noise for Contemporary American Literature at The Ohio State University, I had no idea a train would actually derail in East Palestine, Ohio, and the governors would decide to blow it up like the Netflix film White Noise. What kind of black magic is behind White Noise and OSU’s English department assigning the book that became a Netflix film that became reality. Is White Noice surreality? Reality? Or is White Noise surrealreality?
I don’t exactly remember what I enjoyed about the book, but I remember feeling uncomfortable when the protagonist Jack discussed his Hitler expertise, because of my Hitler expertise. I am a political scientist who specializes in the pyramidal power structure and slave system of the occult arts and sciences, and the fascistic systems of industrial genocide and self-genocide they create. In other words, I specialize in the racial bloodlines of the occult in power, which is still Nazi and Ashkenazi, blue and red blood, so I understand how Chicago’s Gangster Disciples and Vice Lords are two pillars like the Democratic and Republican Parties and the Twin Towers.
Is Nazi hunting in my blood? I am Matthew Brdecka, and this is Jiri Brdecka:
I knew there was a reason I was reading White Noise in Ohio at the same time I was reading The Crying of Lot 49 with my connections to San Francisco. Of course, I don’t exactly pontificate my Hitler expertise, because culturally people would call me a white supremacist even though I study and Hitler and Nazis like serial killer profilers, except I profile genocidal maniacs. Why do you think The Artistic Lifestyle’s The Revolution exposes 21st Century Nazism? I am going to have to reread White Noise, because there is some serious neurolinguistic predictive programming within the piece of fiction, and I thought nothing of neurolinguistic predictive programming when I first read it. There’s some serious black magic surrounding the novel and the train derailment.
I had no clue the power of surrealreality’s Pandora’s Box, which we know as Bird Box.
My Contemporary American Literature professor loved me as a student. I always participated, and I provided a cognitive bridge between her 1970’s consciousness and her 2010’s students’ conciousness. I loved her class, but I didn’t think 1970’s and 80’s literature was contemporary in 2016. I don’t remember if I did the final. I probably didn’t. At the time, I was so involved experimenting with language, writing, psychology, propaganda, and mind-control, I may have not turned one in just to see what kind of grade I would earn. Of course, I earned an A-; meanwhile, I earned a C- in 18th Century British Literature, which looking back was more witchcraft and spells than language. I guess that’s why they call it spelling.
Like I said, I read White Noise at the same time I read Fear and Loathing in Las Vegas and The Crying of Loft 49, which evolved my writing in order to create a literary revolution combining the contemporary reality genre with postmodern surrealism to create surreal-reality or surrealreality. What’s surrealreality? Surrealreality is the merging of one’s surrealism with reality, which I use in most my work. Even though White Noise may be surreality, it didn’t become reality until the governors of Ohio and Pennsylvania gave the order to explode the train cars full of chemicals resulting in acid rain. In my work my surreality is infused with reality, so I am writing the past, present, and future at the same time I am experiencing the present, while I am learning the past and prophesying the future, because I am Brdman, witches. Pecaw! Pecaw!